When You Make Up Markets, Everything Is a Monopoly
Peter Fay | April 17, 2023

The Importance of Legal Recognition of Mitragynine for its Effective Regulation
Jihang Wang | April 3, 2023

The Power of Exclusion: Madison Square Garden Uses Facial Recognition Technology to Ban the Owner’s Enemies
Eric Thompson Jr. | March 31, 2023

Unpacking the Metabirkins Case: Reaffirming the Application of Rogers v. Grimaldi
Indira Sahrawat | March 29, 2023

State Film Tax Incentives Draw Production to Pro-Life Jurisdictions
Clay Murphy | March 27, 2023

Simple Fun or Gambling? The Regulatory Debate around Loot Boxes in Video Games
David Vidal Kaufman | March 24, 2023

TV’s Renewed Obsession with Traumatic Brain Injuries (TBI): Restitution Opportunities for Athletes with TBI
Joe Salmaggi | March 22, 2023

You Wouldn’t Download a Car… But If You Did, What’s It Worth?
Adrian Chochorek | March 20, 2023

In the Video Game Industry, NFTs are a Joke
Adrian Chochorek | January 31, 2023

Miami’s Tech Boom Sets Lawyers at the Forefront of Innovation
Cole Kauffman | November 21, 2022

A New Path Forward in Art Restitution
Reizl Halikman | November 18, 2022

The Fifth Circuit vs. The First Amendment
Batya Kemper | November 16, 2022

Worries About the Propertization of Color
Jack Baum | November 14, 2022

The Spectacle of Entertainment Law: A New Courtroom Drama
Alexis Biegen | November 11, 2022

How an Art Collective’s Gimmicks Could Clarify the Boundary Between First Amendment Rights and Trademark Protections
Rachel Burns | November 9, 2022

The Art of Sampling and Copyright Infringement: How Do We Strike a Balance Between the Two?
Amelia Diaz | November 7, 2022

The Intellectual Property Implications of AI-Generated Images
Tanner Co | November 4, 2022

How Four Tet’s Lawsuit Against his Former Record Label Could Help Artists Escape Antiquated Streaming Royalty Provisions
Jack Groves | November 2, 2022

Phonorecords IV: Better Than Before, but Still Not Enough
Zachary Goodwin | October 31, 2022

How Does the Sale of Music Rights Change Copyright Litigation?
Jacob Kirschenbaum | April 15, 2022

Creating a Safer Harbor Under the DMCA
Alex Kaczmarek | April 13, 2022

Appropriation Art vs. Copyright Law: A Recent Setback for the Promotion of the Arts
Peter Fay | April 11, 2022

Decentralized Finance: The Big Picture
Kayla Hug | April 8, 2022

Data Privacy in the Metaverse: Real Questions for Unreal Worlds
Yujin Kim | April 6, 2022

Can “Mere Ornamentation” Blow Up Product Configuration?
Justin Lee | April 4, 2022

Fashion in the Metaverse
Amy Kaplan | April 1, 2022

Failing to Deliver: How Recent New York Legislation Aimed at the Food Delivery Market Misses the Mark
Molly Collett | March 30, 2022

NFTs In Sports Industry May Expose “Minty” Fresh Cracks in the IP Legal Landscape
Hanna Balcha | March 29, 2022

Patenting Psychedelic Drugs
Aryeh Helfgott | March 24, 2022

Recent Developments in the Restitution of Nazi-Looted Art
Caroline Henebry | March 23, 2022

How NFTs Could Change the Music Industry – For Better or Worse
Lindsay Harris | March 22, 2022

Nintendo’s Actions Demonstrate Our Intellectual Property Laws are Broken
Luciano Hamel | March 21, 2022

Metaverse: Fashion Trademark Battles to Watch
Ana Leticia Allevato | March 16, 2022

The Unofficial Bridgerton Musical: The easy permission model of Netflix should be the future for fan-created works
EJ Benjamin | March 14, 2022

The Ongoing Gold Rush in Music Catalog Sales
Aaron Lichtschein | March 11, 2022

Taking the Mona Lisa Effect from Illusion to Reality: Enhancing the Museum Experience with Augmented and Virtual Reality
Sally Kang | March 9, 2022

To Stream or Not to Stream: Litigation Concerning Box Office Releases Moved to Streaming
Elizabeth Pott | March 7, 2022

Short Musings on Tensions between Trademark Law and the Luxury Fashion Market
Cheng-Hau Kee | December 15, 2021

NFL Franchise Controversies
Staff Editor | December 3, 2021