A New Path Forward in Art Restitution
Reizl Halikman | November 18, 2022
The Fifth Circuit vs. The First Amendment
Batya Kemper | November 16, 2022
Worries About the Propertization of Color
Jack Baum | November 14, 2022
The Spectacle of Entertainment Law: A New Courtroom Drama
Alexis Biegen | November 11, 2022
How an Art Collective’s Gimmicks Could Clarify the Boundary Between First Amendment Rights and Trademark Protections
Rachel Burns | November 9, 2022
The Art of Sampling and Copyright Infringement: How Do We Strike a Balance Between the Two?
Amelia Diaz | November 7, 2022
The Intellectual Property Implications of AI-Generated Images
Tanner Co | November 4, 2022
How Four Tet’s Lawsuit Against his Former Record Label Could Help Artists Escape Antiquated Streaming Royalty Provisions
Jack Groves | November 2, 2022
Phonorecords IV: Better Than Before, but Still Not Enough
Zachary Goodwin | October 31, 2022
How Does the Sale of Music Rights Change Copyright Litigation?
Jacob Kirschenbaum | April 15, 2022
Creating a Safer Harbor Under the DMCA
Alex Kaczmarek | April 13, 2022
Appropriation Art vs. Copyright Law: A Recent Setback for the Promotion of the Arts
Peter Fay | April 11, 2022
Decentralized Finance: The Big Picture
Kayla Hug | April 8, 2022
Data Privacy in the Metaverse: Real Questions for Unreal Worlds
Yujin Kim | April 6, 2022
Can “Mere Ornamentation” Blow Up Product Configuration?
Justin Lee | April 4, 2022
Fashion in the Metaverse
Amy Kaplan | April 1, 2022
Failing to Deliver: How Recent New York Legislation Aimed at the Food Delivery Market Misses the Mark
Molly Collett | March 30, 2022
NFTs In Sports Industry May Expose “Minty” Fresh Cracks in the IP Legal Landscape
Hanna Balcha | March 29, 2022
Patenting Psychedelic Drugs
Aryeh Helfgott | March 24, 2022
Recent Developments in the Restitution of Nazi-Looted Art
Caroline Henebry | March 23, 2022
How NFTs Could Change the Music Industry – For Better or Worse
Lindsay Harris | March 22, 2022