Can you Own an eBook? A Summary of the Anti-Ownership eBook Economy Report
Anu Thomas | October 15, 2023
When You Make Up Markets, Everything Is a Monopoly
Peter Fay | April 17, 2023
The Importance of Legal Recognition of Mitragynine for its Effective Regulation
Jihang Wang | April 3, 2023
The Power of Exclusion: Madison Square Garden Uses Facial Recognition Technology to Ban the Owner’s Enemies
Eric Thompson Jr. | March 31, 2023
Unpacking the Metabirkins Case: Reaffirming the Application of Rogers v. Grimaldi
Indira Sahrawat | March 29, 2023
State Film Tax Incentives Draw Production to Pro-Life Jurisdictions
Clay Murphy | March 27, 2023
Simple Fun or Gambling? The Regulatory Debate around Loot Boxes in Video Games
David Vidal Kaufman | March 24, 2023
TV’s Renewed Obsession with Traumatic Brain Injuries (TBI): Restitution Opportunities for Athletes with TBI
Joe Salmaggi | March 22, 2023
You Wouldn’t Download a Car… But If You Did, What’s It Worth?
Adrian Chochorek | March 20, 2023
In the Video Game Industry, NFTs are a Joke
Adrian Chochorek | January 31, 2023
Miami’s Tech Boom Sets Lawyers at the Forefront of Innovation
Cole Kauffman | November 21, 2022
A New Path Forward in Art Restitution
Reizl Halikman | November 18, 2022
The Fifth Circuit vs. The First Amendment
Batya Kemper | November 16, 2022
Worries About the Propertization of Color
Jack Baum | November 14, 2022
The Spectacle of Entertainment Law: A New Courtroom Drama
Alexis Biegen | November 11, 2022
How an Art Collective’s Gimmicks Could Clarify the Boundary Between First Amendment Rights and Trademark Protections
Rachel Burns | November 9, 2022
The Art of Sampling and Copyright Infringement: How Do We Strike a Balance Between the Two?
Amelia Diaz | November 7, 2022
The Intellectual Property Implications of AI-Generated Images
Tanner Co | November 4, 2022
How Four Tet’s Lawsuit Against his Former Record Label Could Help Artists Escape Antiquated Streaming Royalty Provisions
Jack Groves | November 2, 2022
Phonorecords IV: Better Than Before, but Still Not Enough
Zachary Goodwin | October 31, 2022