JIPEL Vol. 4, No. 2 – Spring 2015
The NYU Journal of Intellectual Property and Entertainment Law is proud to present Volume 4 Issue 2 of the Journal. While individual PDFs of articles may be found accompanying their…
Vol. 4 – No. 2 (Spring 2015)
The NYU Journal of Intellectual Property and Entertainment Law is proud to present Volume 4 Issue 2 of the Journal. While individual PDFs of articles may be found accompanying their…
A well-defined § 101 ensures that abstract software patent claims and their attendant notice and patent thicket problems do not undermine the patent system and stymie innovation. It serves as…
Federal copyright law applies to sound recordings, but only to those fixed, i.e., produced, on or after February 15, 1972. Recordings produced prior to that date are subject to protection…
In the United States, whether a disputed work qualifies as a parody is critical, if not determinative, to the success of a fair use defense in copyright lawsuits. How can…
In order to address the digital revolution that has challenged copyright protection, China has carried out a series of legislative attempts at developing an indirect copyright liability system in recent…
The concept of “use” in trademark law is fundamental. However, many activities undertaken by a mark owner in connection with the trademark are not relevant uses for the purposes of…
Europe is on the verge of instituting a uniform patent regime that will change the landscape of patent litigation in twenty-five member countries. The unitary patent package will include a…